Capture is Australia's top selling professional photography magazine. The bi-monthly publication covers all facets of the professional photography industry, in particular equipment, marketing, training, pricing, finance and rights management. Capture's mission is to help professional photographers stay informed and up-to-date, to help them grow their business and develop their careers. Capture also showcases the latest photography and editing products, equipment and techniques from Australia’s best known companies and trend-setters. It reaches the whole photographic community, including editorial, advertising, wedding, photojournalism, events, fashion and portrait photographers, plus assistants and aspiring students
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THE Mono AWARDS 2020
THE JUDGES
WINNER
WHAT THE JUDGES THOUGHT
RUNNER-UP
ANIMALS–TOP 30
B&W TIPS FROM THE JUDGES
WINNER
RUNNER-UP
PEOPLE–TOP 30
WINNER
RUNNER-UP
PLACES–TOP 30
Q&A Oculi • One of Australia’s longest-running collectives, Oculi, not only celebrates its 20th anniversary this year, but has recently announced the single-biggest intake of new members in its two-decade history. Capture spoke with its founding member, Dean Sewell, along with both old and new members, about the future of the collective.
Tougher than life • We all learn a lot of things at school that have to be reassessed in adulthood, such as, talent always wins, failing is a bad thing, procedures must be followed, and life is fair. As for weathering tough times? That’s something we all have to learn for ourselves. Schooling overlooks it completely. Candide McDonald reports.
An enduring love that is black & white • Is black and white a facade, or somehow more real? Does it capture a moment or contrive it? Tim Grey spoke with four renowned specialists who shared their thoughts on these timeless questions.
A thousand words: visual storytelling in 2020 • A picture is worth a thousand words. Or so the saying goes. Photography’s ability to tell a coherent story is a topic that has been explored across time and genres for as long as the medium’s existence. Sam Edmonds reassesses this age-old adage at a time of iPhones, deep fakes, and climate justice.